https://medium.com/@theboyonthebike/god-loves-monsters-4f727db3d046
Beautiful Theology over at theboyonthebike
“The monster was not a threat to God. And while Job had become a threat to his friends, he wasn’t a threat to God either. The creature that the world called “monster,” God called “friend.” The beautiful part then is that the people the world calls “monster” (because their appearance, their story, their otherness feels monstrous to those around them) are the ones that God calls friend. All the things that made Leviathan so frightening to everyone else were what made Leviathan delightful to God. God celebrated all the wild things about Leviathan that made everyone else recoil in horror.”
“In fact, in an especially strange turn of the poem, in some translations God not only celebrates Leviathan — but identifies with Leviathan. Watch how God seems to casually move between how people respond to Leviathan and how they actually respond to Him in Job 41.9–11:”
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Author: katyandtheword
Pastor Katy has enjoyed ministry at New Covenant since 2010, where the church has solidified its community focus. Prior to that she studied both Theology and Christian Formation at Princeton Theological Seminary. She also served as an Assistant Chaplain at Trenton Psychiatric Hospital and as the Christian Educational Coordinator at Bethany Presbyterian at Bloomfield, NJ.
She is an writer and is published in Enfleshed, Sermonsuite, Presbyterian's today and Outlook. She writes prayers, liturgy, poems and public theology and is pursuing her doctorate in ministry in Creative Write and Pittsburgh Theological Seminary.
She enjoys working within and connecting to the community, is known to laugh a lot during service, and tells as many stories as possible. Pastor Katy loves reading Science Fiction and Fantasy, theater, arts and crafts, music, playing with children and sunshine, and continues to try to be as (w)holistically Christian as possible.
"Publisher after publisher turned down A Wrinkle in Time," L'Engle wrote, "because it deals overtly with the problem of evil, and it was too difficult for children, and was it a children's or an adult's book, anyhow?" The next year it won the prestigious John Newbery Medal.
Tolkien states in the foreword to The Lord of the Rings that he disliked allegories and that the story was not one.[66] Instead he preferred what he termed "applicability", the freedom of the reader to interpret the work in the light of his or her own life and times.
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